Firing No. 1
Firing No. 1
Nani Badi
Nani Badi
Nani Badi draws from the kitchen gardens of Indian homes remembered through the eyes of a child for whom its banana leaves and pomegranate trees seemed almost monumental. The forms and markings hold onto that feeling of disappearing into a garden and finding an entire world within it.
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Technique
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Firing No. 2
Firing No. 2
Traces Of Sand
Traces Of Sand
The lines left behind as the sea recedes become the starting point for this cylindrical form. Layered across its surface, they echo the shifting patterns of sand, traces of water, movement and time held in clay.
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Technique
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Firing No. 3
Firing No. 3
Stambh - स्तम्भ
Stambh - स्तम्भ
Drawing from the architectural language of traditional Indian temple pillars, this form brings together a grounded square base, a cylindrical shaft and a broad upper form. Its proportions translate an architectural element into a piece meant to inhabit the everyday.
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Technique
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Firing No. 4
Firing No. 4
Leher
Leher
Inspired by the movement of waves, receding tides and the layered textures of coastal rock, Leher takes the rhythm of the shore into ceramic form. Organic ridges and grooves run across its cylindrical body, while reactive glazes move between earthy greens and deep aquatic blues.
With the simple addition of a ceramic insert, Leher becomes a vase, bringing together its sculptural character and the everyday act of living in different spaces.
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Technique
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Firing No. 5
Firing No. 5
The First Form
The First Form
The first successful ceramic furniture piece from the studio, this form grew through repeated trials with scale, clay and fire. What began as experimentation became an exercise in patience and endurance — allowing the final form to emerge through an ongoing dialogue with the material.
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Technique
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Firing No. 6
Firing No. 6
Indigo
Indigo
A study of our fascination with indigo, this rounded form carries loose, sweeping strokes across a warm ceramic ground. Bronze and touches of gold enter the composition, allowing colour, gesture and surface to become part of the form itself.
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Technique
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Firing No. 7
Firing No. 7
The Abstract
The Abstract
An exploration of form, colour and surface, The Abstract brings together geometric fragments and painterly marks across a cylindrical ceramic form in layered blues, earthy tones and exposed ceramic surface.
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Technique
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Firing No. 8
Firing No. 8
Fragment Lamp
Fragment Lamp
Built from irregular ceramic fragments, the Fragment Lamp brings together raw texture, earthy tones and deep contrasting marks. Its uneven surface catches and reflects the light, allowing the material itself to become part of the illumination.
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